![]() Horror in 2018 seemed to get more thoughtful consideration than it has in years past. There are worse ways to spend an hour and 41 minutes than watching Grandma and Pop-Pop go on a house-to-house killing spree Old People might prompt you to give your grandparents a call and check up on them.While horror fans have always known the genre was about something deeper than mindless gore, the massive success of last year’s Get Out gave the mainstream a chance to finally catch on. The festivities are interrupted by the residents of a nearby home for the elderly, who have arisen from their rocking chairs, thrown off their afghan blankets, and taken on the feral feel of a zombie horde out for blood. Foroutan stars as Ella, a mother of two who’s returned home with her children for her sister’s wedding. “Thou shalt honor the old, for they are great in number.” The Empress star Melika Foroutan takes the lead role in this rapid-fire German horror movie by Andy Fetscher. The story itself is a familiar one, but hit “play” on this gem to see one of the most creative and terrifying movie monsters in recent years. Their trip gets exponentially worse from there. After one of their party is injured, the men depart the marked trail and take a shortcut through the dense forest, where they find a gutted elk carcass suspended from the branches, strange symbols carved into the trees, and an old cabin with a creepy headless human effigy inside. David Bruckner’s big-screen treatment sees Phil (Arsher Ali), Dom (Sam Troughton), Hutch (Robert James-Collier), and Luke (Rafe Spall) set off on a hike through the long and winding Kungsleden trail, just six months after the death of their friend Rob (Paul Reid), who was violently killed in a robbery gone wrong. The Ritual is an adaptation of Adam Nevill’s 2011 novel about a quartet of friends who brush up against an old-timey evil during their hike along northern Sweden. Just when you thought it was safe to go camping… It’s much more homage than ripoff of The Wicker Man, and if folklore and witch cults are your thing, Apostle is worth a watch. At times it feels like a remnant of the old Tigon British horror movies with an updated visceral polish torture devices meant for spiritual “purification” wouldn’t be out of place in old-school treasures like Witchfinder General or The Blood on Satan’s Claw. Instead, tension comes from the ever-growing sense of being caught in a turn-of-the-century Jonestown with a pagan deity at its center. Anchored by dedicated performances from Stevens ( The Guest) and Michael Sheen ( Good Omens), Apostle is one of Gareth Evans’ most slow-burning stories, where jump scares are few and far between. Set in 1905, the film follows Thomas Richardson (Dan Stevens), a devoted brother who travels to a far-flung Welsh island where his sister (Lucy Boynton) is held captive by a fanatic religious cult. – Anya Stanley His House (2020) (Netflix)ĭetractors classify Apostle as a ripoff of The Wicker Man, but that’s a reductive dismissal of Gareth Evans’ occult horror creepfest. Aside from the depressing relevance that cyber-bullying still holds today, Unfriended contains the most tense game of “Never Have I Ever” to hit the big (and laptop) screen. What follows is a steady march toward doom for six high schoolers as their secrets are exposed and their loyalties are tested. The video went viral, and those who contributed to her torment never got their comeuppance-until user “billie227” enters the chat. A year prior, Laura Barns died by suicide after a video was uploaded of her passing out drunk and soiling herself at a party. Set on a computer screencast over a feature-length Skype chat, the story follows a group of teenagers whose conversation is crashed by a former student they bullied to death. ![]() One of the early screenlife efforts is Unfriended, from Georgian-Russian director Leo Gabriadze. Borrowing from elements of found footage movies, screenlife showcases its entire narrative through computers, tablets, and phone screens, all in real time. In the past decade or so, a new form of visual storytelling has emerged across genres: the screenlife film.
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